Es mostren els missatges amb l'etiqueta de comentaris Tracey Thorn. Mostrar tots els missatges
Es mostren els missatges amb l'etiqueta de comentaris Tracey Thorn. Mostrar tots els missatges

dilluns, 6 de juny del 2022

Bedsite Disco Queen de Tracey Thorn (2013)

I was only sixteen when I bought an electric guitar and joined a band. A year later, I formed an all-girl band called the Marine Girls and played gigs, and signed to an indie label, and started releasing records. 
Then, for eighteen years, between 1982 and 2000, I was one half of the group Everything But the Girl. In that time, we released nine albums and sold nine million records. We went on countless tours, had hit singles and flop singles, were reviewed and interviewed to within an inch of our lives. I've been in the charts, out of them, back in. I've seen myself described as an indie darling, a middle-of-the-road nobody and a disco diva. I haven't always fitted in, you see, and that's made me face up to the realities of a pop career - there are thrills and wonders to be experienced, yes, but also moments of doubt, mistakes, violent lifestyle changes from luxury to squalor and back again, sometimes within minutes.

dijous, 16 de setembre del 2021

Another Planet: A Teenager in Suburbia de Tracey Thorn (2019)

 In a 1970s commuter town, Tracey Thorn's teenage life was forged from what failed to happen. Her diaries were packed with entries about not buying things, not going to the disco, the school coach not arriving.


Before she became an acclaimed musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties, Meaningful Conversations and the female pop icons who hinted at a new kind of living.


Returning more than three decades later to Brookmans Park, scene of her childhood, Thorn takes us beyond the bus shelters and pub car parks, the utopian cul-de-sacs, the train to Potters Bar and the weekly discos, to the parents who wanted so much for their children, the children who wanted none of it. With endearing wit and great insight, Thorn reconsiders the Green Belt post-war dream so many artists have mocked, and yet so many artists have come from.